Thank you to all who entered work to be considered for the 2020-2021 Writing Fellowship for New Parents! Judging is in process and an announcement will be made on this...
There is a special sort of anxiousness that accompanies adult events to which kids are welcome. First you go all-out making sure there is something for the kids to do (we invited the unparalleled Church Street School for Music and Art to do an all-ages bookmaking craft) then you have to make sure the adults will be amply entertained (no worries, we are great at that part!) Then you make sure there is enough wine and that the food will be appropriate for all. (We did a rather carnivorous spread – sorry vegans.) And finally, you cross your fingers, pray the weather holds, and hope it will be fun.
All while knowing that a kid’s idea of fun is often very different from yours.
I recall growing up and feeling so privileged when I was allowed to attend an adult-event. A wedding reception. A concert. As a kid, I worried about looking babyish and hoped that the adults didn’t find me annoying. I did my best to sit still and took my cue from people older than me. And if I ran around amid the legs of the adults at the end of the night, well, it was only because by then it was hours past my bedtime and I had been fed cake because “the kids are looking sleepy: some sugar should give them a second wind!”
I don’t think we needed to worry. At all.
Our rooftop event was well planned and very well received. The kids gathered around the art table as they arrived, and the good folks at Church Street School helped them get to know each other.
Meanwhile, the adults mingled over wine. As the long September rays painted skyscrapers in hues of orange and peach sherbet, a Brazilian jazz guitarist who has played Carnegie Hall (and loves kids!) got up on the stage. His fingers danced across the frets and Hector Vila Lobos tangled across our conversations. Some children sat to listen. Most spun and danced and ran. The sun set further.
Wine was refilled, and the kids grew frenzied. By the time our new curator, Brian Gresko, took the stage to read a hilarious and poignant essay about the changing nature of New York and parenthood, there were two groups in the audience: the adults leaning forward to listen and the packs of thrilled kids streaking madly across the roof from one end to the next.
Thing is: both groups were having fun. Our Fellow of a few years past, Frank Haberle, said some lovely words about the community that Pen Parentis builds and then, as fleets of kids wildly rushed the stage, then off again, he read a great short story–to wild applause, both for the prose and for the Olympic feat of maintaining focus to deliver the piece.